All My Little Words

Interview with Gomez

Posted in Music by nickchristian on June 24, 2013

This one is from the same summer as the Pipettes interview and again, first published on the online magazine Subculture. 


To say that, with their fifth and latest studio release Split The Difference, Gomez have “returned to form” would be an injustice. Nearer the mark would be to suggest that, in the wake of the indie resurgence, their music has become more palatable to the not-so-discerning British public. Having emerged in 1997 with the album that would win the Mercury Music Prize, Bring It On, Gomez have been one of the most consistent British bands of the past decade. With a quintet of studio albums, a collection of B-sides and rough-cuts and a live album to their name the band have faced the slings and arrows that come with the outrageous fortunes of the music world and remained as strong as ever. Subculture caught up with bassist Paul Blackburn shortly before the band’s recent performance at Latitude festival.

Subculture Magazine: Your first album, Bring It On came out in ’97 and you guys have been together for about ten years. How would you sum up the last ten years?

Paul Blackburn: It’s been a bit all over the place really. A lot of travel. Everybody says “rollercoaster ride” and that’s kinda true but it’s been said so many times before that it’s that old one again. So yeah, it’s been life.

SM: And, looking back on them, how  do you feel about your earlier albums?

PB: To be honest with you, I’ve not listened to Bring It On for a long time because we go around playing the songs anyway you kinda hear it when you’re playing it live. I remember the last time I did visit it, it was quite interesting after playing it live so much it sounds a lot slower and a lot more…. I think we rock it up a bit more live.

SM: Are there any tracks that you play live because you’re obliged to, because they’re fan favourites, that you’d rather avoid?

PB: Definitely. I guess there’s a couple of songs that people won’t play. We’ve not played Tijuana Lady for a long time. People definitely like it – I wouldn’t mind playing it – it is what it is I guess. To be honest I don’t really because it’s all stuff that’s your material. Obviously you want to play the new stuff and get people into the new stuff. It’s always going to be a balancing act of new and old, trying to keep all sides happy.


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